Both a history and a critique of South Africa's film industry, this book recounts the long experience of filmmaker and producer Richard Green.

Green's story—especially his work in forging the film initiative New Directions Africa—is emblematic of the struggles, negotiations, and competing ideologies that faced South Africa as it emerged from apartheid.

He continues to be an essential part of what is now a burgeoning industry that not only supports the creative work of Africans, but is also seen as having an important role in the nation-building process.

Probably the greatest British novelist of his generation, Graham Greene's own story was as strange and compelling as those he told of Pinkie the Mobster, Harry Lime, or the Whisky Priest. A restless traveller, he was a witness to many of the key events of modern history - including the origins of the Vietnam War, the Mau Mau Rebellion, the betrayal of the double-agent Kim Philby, the rise of Fidel Castro, and the guerrilla wars of Central America. Traumatized as a boy and thought a Judas among his schoolmates, Greene tried Russian Roulette and attempted suicide. He suffered from bipolar illness, which caused havoc in his private life as his marriage failed, and one great love after another suffered shipwreck, until in his later years he found constancy in a decidedly unconventional relationship. Often called a Catholic novelist, his works came to explore the no man's land between belief and unbelief. A journalist, an MI6 officer, and an unfailing advocate for human rights, he sought out the inner narratives of war and politics in dozens of troubled places, and yet he distrusted nations and armies, believing that true loyalty was a matter between individuals. A work of wit, insight, and compassion, this new biography of Graham Greene, the first undertaken in a generation, responds to the many thousands of pages of lost letters that have recently come to light and to new memoirs by those who knew him best. It deals sensitively with questions of private life, sex, and mental illness; it gives a thorough accounting for the politics of the places he wrote about; it investigates his involvement with MI6 and the Cambridge five; above all, it follows the growth of a writer whose works changed the lives of millions.

Life in pre-revolutionary Cuba is not easy and James Wormold, a failing vacuum cleaner salesman, is struggling to fund the increasingly lavish lifestyle of his manipulative sixteen year-old daughter, Milly. So when an enigmatic Englishman offers him an extra income in return for a little spying, he is sorely tempted . . . But when the fake reports he's been sending to London start to come true, Havana suddenly becomes a very dangerous place indeed. Both a brilliant Cold War thriller and hilarious work of satire, Our Man in Havana is Graham Greene's classic tale of an accidental spy, and a truly gripping read. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautifully bound gift editions of much loved classic titles.

Product Note:
Available at the special pre-publication price of £95.00, £115.00 thereafter.

Understanding the effects of radical change on public personnel systems is critically important both now and in the future to all those interested in the quality of American democracy. Civil service reform is occurring at all levels of government both in the United States and abroad.

American Public Service: Radical Reform and the Merit System is a collection of papers that examine the innovations, strategies, and issues found in the contemporary civil service reform debate. Offering diverse perspectives from expert contributors, this book presents matters concerning radical reform and the merit system at the federal, state, and local levels of government.

This volume offers fresh insight into the effects of merit system changes on employees. Divided into four sections, this book...

- Examines a portrait of contemporary reforms from across the country and concepts to interpret those data

- Addresses whether the relaxation of civil service protections against partisan intrusion will result in corruption

- Provides examples of ongoing changes and analyzes survey data from state managers

- Discusses a variety of key issues, such as the impact on racial inequality of moving from a protected class employment status to an unprotected at-will relationship

The book provides a baseline of data on reforms as well as an account of their current promises and pitfalls. Covering topics ripped from the headlines, this text also identifies pressing issues and makes suggestions for the future. Offering a variety of methodological approaches, it is ideal for all those interested in effective governance.

It is 1941 and bombs have turned London into the front line of a world war. In the shadows of the Blitz, Hitler's agents are running a blackmail operation to obtain documents that could bring the nation to instant defeat. Arthur Rowe, a man once convicted of a notorious mercy killing, stumbles onto a German spy operation in Bloomsbury and must be silenced. But even with his memory taken from him, he is still a very dangerous witness. A taut thriller and a haunting exploration of pity, love, and guilt, The Ministry of Fear by Graham Greene is universally acknowledged as one of the greatest of all spy novels. With an introduction by the biographer and editor Professor Richard Greene. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautifully bound gift editions of much loved classic titles.

Pinkie Brown, a neurotic teenage gangster wielding a razor blade and a bottle of sulfuric acid, commits a brutal murder - but it does not go unnoticed. Rose, a naive young waitress at a rundown cafe, has the unwitting power to destroy his crucial alibi, and Ida Arnold, a woman bursting with easy certainties about what is right and wrong, has made it her mission to bring about justice and redemption. Set among the seaside amusements and dilapidated boarding houses of Brighton's pre-war underworld, Brighton Rock by Graham Greene is both a gritty thriller and a study of a soul in torment. A classic of modern literature, it maps out the strange border between piety and savagery. This beautiful Macmillan Collector's Library edition of Brighton Rock features an introduction by the poet, biographer and editor, Professor Richard Greene. Designed to appeal to the book lover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.

No other word in the English language is more endemic to contemporary Black American culture and identity than "Soul." Since the 1960s Soul has been frequently used to market and sell music, food, and fashion. However, Soul also refers to a pervasive belief in the capacity of the Black body/spirit to endure the most trying of times in an ongoing struggle for freedom and equality. While some attention has been given to various genre manifestations of Soul-as in Soul music and food-no book has yet fully explored the discursive terrain signified by the term. In this broad-ranging, free-spirited book, a diverse group of writers, artists, and scholars reflect on the ubiquitous but elusive concept of Soul. Topics include: politics and fashion, Blaxploitation films, language, literature, dance, James Brown, and Schoolhouse Rock. Among the contributors are Angela Davis, Manning Marable, Paul Gilroy, Lyle Ashton Harris, Michelle Wallace, Ishmael Reed, Greg Tate, Manthia Diawara, and dream hampton.

The Godfather and Philosophy is comprised of twenty-eight chapters by philosophers, who reflect upon the ethical and metaphysical issues raised in The Godfather novels and movies, beginning with the 1969 novel by Mario Puzo and the 1972 movie by Francis Ford Coppola. The Godfather saga has had a profound impact on American cinema, storytelling, thinking about crime, and popular culture. Aimed at thoughtful fans of The Godfather franchise, among the questions tackled in these provocative philosophical chapters are the immigrant experience in America, the relation between ethics and the law, the nature of moral corruption, private justice and vigilantism, organized crime and the American Dream, betrayal and forgiveness, religion and family values, the difficulties of breaking out of a dysfunctional way of life, and the uncertain consequences of vice laws. Joshua Heter teaches philosophy at Jefferson College, Missouri. He co-edited Punk Rock and Philosophy (2022). Richard Greene teaches philosophy at Weber State University, Utah. He wrote the definitive and highly acclaimed book, Spoiler Alert! (It’s a Book about the Philosophy of Spoilers) (2019).

Most anthologies of Irish literature deal only with Irish literature in English, that which is gerally referred to as Anglo-Irish literature. Most of them also deal only with Irish writers of the twentieth century. An Anthology of Irish Literature is an exception to both these tendencies. The selections represent Irish literature from the seventh century through the twentieth century. Volume I contains translations of medieval Irish poetry and narratives, many of which, though transcribed in Middle Irish, are from an older oral tradition. The volume also offers examples of Irish lyric poetry of the 17th and 18th centuries and translations from 19th century Irish poets

Why did ancient autocrats patronise theatre? How could ancient theatre - rightly supposed to be an artform that developed and flourished under democracy - serve their needs? Plato claimed that poets of tragic drama "drag states into tyranny and democracy". The word order is very deliberate: he goes on to say that tragic poets are honoured "especially by the tyrants, and secondly by the democracies" (Republic 568c). For more than forty years scholars have explored the political, ideological, structural and economic links between democracy and theatre in ancient Greece. By contrast, the links between autocracy and theatre are virtually ignored, despite the fact that for the first 200 years of theatre's existence more than a third of all theatre-states were autocratic. For the next 600 years, theatre flourished almost exclusively under autocratic regimes. The volume brings together experts in ancient theatre to undertake the first systematic study of the patterns of use made of the theatre by tyrants, regents, kings and emperors. Theatre and Autocracy in the Ancient World is the first comprehensive study of the historical circumstances and means by which autocrats turned a medium of mass communication into an instrument of mass control.

This book is the first comprehensive guide to Holst's orchestral suite The Planets. It considers the music in detail and places the work in its historical context, describing the circumstances of its composition and its meteoric rise to popular acclaim. Starting with Holst's particular interest in astrology, Greene reveals a profound statement of human character and Holst's own psychological journey toward the mystical state. Using parallels in the verbal and visual arts, Greene weaves here a fascinating tale of musical communication.

This book is the first comprehensive guide to Holst's orchestral suite The Planets. It considers the music in detail and places the work in its historical context, describing the circumstances of its composition and its meteoric rise to popular acclaim. Starting with Holst's particular interest in astrology, Greene reveals a profound statement of human character and Holst's own psychological journey toward the mystical state. Using parallels in the verbal and visual arts, Greene weaves here a fascinating tale of musical communication.

"All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind." Karl Marx might have been thinking of punk rock when he wrote these words in 1847, but he overlooked the possibility that new forms of solidity and holiness could spring into existence overnight. Punk rock was a celebration of nastiness, chaos, and defiance of convention, which quickly transcended itself and developed its own orthodoxies, shibboleths, heresies, and sectarian wars. Is punk still alive today? What has it left us with? Does punk make any artistic sense? Is punk inherently anarchist, sexist, neo-Nazi, Christian, or-perish the thought-Marxist? When all's said and done, does punk simply suck? These obvious questions only scratch the surface of punk's philosophical ramifications, explored in depth in this unprecedented and thoroughly nauseating volume. Thirty-two professional thinkers-for-a-living and students of rock turn their x-ray eyes on this exciting and frequently disgusting topic, and penetrate to punk's essence, or perhaps they end up demonstrating that it has no essence. You decide. Among the nail-biting questions addressed in this book: Can punks both reject conformity to ideals and complain that poseurs fail to confirm to the ideals of punk? How and why can social protest take the form of arousing revulsion by displaying bodily functions and bodily abuse? Can punk ethics be reconciled with those philosophical traditions which claim that we should strive to become the best version of ourselves? How close is the message of Jesus of Nazareth to the message of punk? Is punk essentially the cry of cis, white, misogynist youth culture, or is there a more wholesome appeal to irrepressibly healthy tendencies like necrophilia, coprophilia, and sadomasochism? In its rejection of the traditional aesthetic of order and complexity, did punk point the way to "aesthetic anarchy," based on simplicity and chaos? By becoming commercially successful, did punk fail by its very success? Is punk what Freddie Nietzsche was getting at in The Birth of Tragedy, when he called for Dionysian art, which venerates the raw, instinctual, and libidinous aspects of life?

Covering everything from Aristotle to ziti, this title explores such topics as: is Tony Soprano a good man?; is Carmella a feminist?; morally speaking who is the worst person on "The Sopranos"; is watching "The Sopranos" harmful to your mental or moral health? and should Tony have read Machiavelli instead of Sun Tzu? The chapters cover topics from each of the traditional branches of western philosophy: metaphysics (the problem of evil, philosophical psychology), epistemology (self-knowledge), value theory (ethics, aesthetics, political philosophy), as well as eastern philosophy (Sun Tzu), history of philosophy (Plato, Nietsche, Machiavelli), and contemporary postmodern themes (feminism and identity issues). "The Sopranos" is rich in philosophical content and complex human interactions and accurately summarizes the human condition, so it is natural for philosophical treatment. No prior philosophical qualifications or mob connections are required to follow all the arguments, which are presented with the same vibrancy, humour and verve that has made "The Sopranos" itself a hit.

Games, Ideas and Activities for Primary Humanitiesprovides a wealth of activities to help make lessons in these key foundation subjects stimulating and enjoyable. Minimising planning time, this selection of activities will help teachers develop enthusiasm for teaching these subjects. All the ideas, activities and games are linked to key skills and concepts in primary humanities. A wealth of activities for teacher to help pupils develop their abilities to understand and use key skills and concepts in the humanities.

Rollo Martins, a failing novelist, is invited to Vienna by his best friend, Harry Lime. The city he arrives in is unrecognizable - torn apart by the Second World War and shared between the occupying Allies. What's more, Harry is dead, and the circumstances look suspicious . . . Determined to uncover the truth, Martins must pick through the rubble of this broken city in search of answers. Accompanied here by twelve further stories that exhibit the full range of Graham Greene's masterly storytelling, The Third Man is an atmospheric noir that oozes with suspense. With an introduction by the biographer and editor Professor Richard Greene. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautifully bound gift editions of much loved classic titles.

Probably the greatest British novelist of his generation, Graham Greene's own story was as strange and compelling as those he told of Pinkie the Mobster, Harry Lime, or the Whisky Priest. A restless traveller, he was a witness to many of the key events of modern history - including the origins of the Vietnam War, the Mau Mau Rebellion, the betrayal of the double-agent Kim Philby, the rise of Fidel Castro, and the guerrilla wars of Central America. Traumatized as a boy and thought a Judas among his schoolmates, Greene tried Russian Roulette and attempted suicide. He suffered from bipolar illness, which caused havoc in his private life as his marriage failed, and one great love after another suffered shipwreck, until in his later years he found constancy in a decidedly unconventional relationship. Often called a Catholic novelist, his works came to explore the no man's land between belief and unbelief. A journalist, an MI6 officer, and an unfailing advocate for human rights, he sought out the inner narratives of war and politics in dozens of troubled places, and yet he distrusted nations and armies, believing that true loyalty was a matter between individuals. A work of wit, insight, and compassion, this new biography of Graham Greene, the first undertaken in a generation, responds to the many thousands of pages of lost letters that have recently come to light and to new memoirs by those who knew him best. It deals sensitively with questions of private life, sex, and mental illness; it gives a thorough accounting for the politics of the places he wrote about; it investigates his involvement with MI6 and the Cambridge five; above all, it follows the growth of a writer whose works changed the lives of millions.

Written by British American critic Richard Moulton (1849 1924), this influential study of Shakespeare's dramatic technique introduces Moulton's 'prescience' of scientific criticism, an approach to literature that would later develop into modern literary theory. Moulton, who served as professor of English literature at Chicago, stated that his object was to 'claim for criticism a position amongst the inductive sciences, and to sketch in outline a plan for the dramatic side of such a critical science', arguing that Shakespeare's genius lay in his mastery of his dramatic art as much as in his deep knowledge of human nature. Published in 1893, this third edition expands significantly on the material in the first edition (1885) and the second (1888), as Moulton includes analysis of three additional Shakespearean plays, using work that had originally been presented to the New Shakespeare Society of London. Subsequent editions were produced in 1897 and 1906.

One of the most celebrated British writers of his generation, Graham Greene's own story was as strange and compelling as those he told of Pinkie the Mobster, Harry Lime, or the Whisky Priest. A journalist and MI6 officer, Greene sought out the inner narratives of war and politics across the world; he witnessed the Second World War, the Vietnam War, the Mau Mau Rebellion, the rise of Fidel Castro, and the guerrilla wars of Central America. His classic novels, including The Heart of the Matter and The Quiet American, are only pieces of a career that reads like a primer on the twentieth century itself. The Unquiet Englishman braids the narratives of Greene's extraordinary life. It portrays a man who was traumatized as an adolescent and later suffered a mental illness that brought him to the point of suicide on several occasions; it tells the story of a restless traveler and unfailing advocate for human rights exploring troubled places around the world, a man who struggled to believe in God and yet found himself described as a great Catholic writer; it reveals a private life in which love almost always ended in ruin, alongside a larger story of politicians, battlefields, and spies. Above all, The Unquiet Englishman shows us a brilliant novelist mastering his craft. A work of wit, insight, and compassion, this new biography of Graham Greene, the first undertaken in a generation, responds to the many thousands of pages of letters that have recently come to light and to new memoirs by those who knew him best. It deals sensitively with questions of private life, sex, and mental illness, and sheds new light on one of the foremost modern writers.

The new TV series, His Dark Materials, is based on the series of novels by Philip Pullman, depicting a young girl's adventures in an imaginary world with similarities and dissimilarities to our own. The story tells of world domination by a religious body, the Magisterium, with malevolent intentions, serving a really existing God who is evil and who can be killed. The story, in all its manifestations, as novels, movies, and television shows, has received fierce criticism from religious organizations, especially because its criticisms of religion are aimed primarily at children. While the story is a thrilling adventure yarn, enjoyed by millions of children and grownups alike, it raises many philosophical issues. In the world of His Dark Materials (or one of its many worlds) humans have an animal companion to which they are emotionally linked and which is like an external 'soul'. This provokes questions about the human personality and the way we think of humans as having bodies, minds, and maybe also souls. Human psychology can be analyzed by psychoanalysis and other theories, some of which are explored in His Dark Materials and Philosophy. Questions of social and political philosophy are also prompted by the story of His Dark Materials. The malignant Magisterium has similarities with the various churches and other religious organizations which have wielded tremendous power both politically and culturally, throughout human history. The relation of the Magisterium to the mysterious "dust" which pervades the universe helps us to understand the relationship of science, religion, and metaphysics. Ever since Friedrich Nietzsche proclaimed that "God is dead," the question of what Nietzsche meant and what are the consequences of the death of God has agitated many thinkers, and so the story in which God is actually killed enables a closer look at the death of God. A popular theme in philosophy and in modern fantasy stories, is that of possible worlds, including how possible worlds relate to parallel worlds. His Dark Materials has many alternative worlds (one of which happens to be our own) and is filled with rich materials for discussion of these questions. His Dark Materials is a good example of a good story, and therefore provides materials for the branch of philosophy called aesthetics, especially the aesthetics of storytelling. We can learn what makes a good story from thinking about specific stories such as His Dark Materials. One chapter looks at the existentialist implications of the story, another at the feminist implications, and another at the Marxist interpretation. Other chapters focus on specific aspects of metaphysics and epistemology, as well as controversial topics in ethics and philosophy of religion.

Despite the gains made by gay rights movements throughout the world, there are still areas in which homosexuals and their relationships are targeted as immoral and criminal. Sociolegal Control of Homosexuality, a comprehensive, up-to-date examination of governmental and religious reaction to issues of sexual orientation in regions - such as Asia and the Middle East - not often covered in English language publications, includes: a sampling of international legislation, both proscriptive and liberal the effects of fundamentalist religious movements new scientific information concerning the origin of sexual orientation, and much more! GBP/LISTGBP